The Gallery at Green & Stone are calling for entries for their biggest Summer Exhibition yet.
A major opportunity for emerging artists, the Gallery at Green & Stone Summer Exhibition offers a platform to showcase your work, connect with collectors, and receive prizes worth over £20,000—including a fully funded solo show.
The Summer Exhibition provides a space for artists to gain visibility, show and sell their work in the heart of Chelsea, London, and take the next step in their careers.
Since 2018, the Summer Exhibition has launched the careers of numerous artists. Previous winners, such as Nneka Uzoigwe, Michael Slusakowicz, and Tushar Sabale, have gone on to achieve significant success and recognition.
This year, the Gallery is expanding to welcome even more artists, with an additional 40 to 50 works on display.
The selection panel—featuring leading figures in the art world, including Alexander Marr, Charmaine Watkiss RWA, and Jonathan Yeo—will select the shortlist blindly and purely on the quality of the work.
The exhibition starts off with a buzzing Private View, which sees artists, curators, collectors, and art lovers come together to discover the work on display.
A long-standing cornerstone of the London art scene, renowned art shop Green & Stone opened The Gallery in 2018, and since then, have remained dedicated to discovering and supporting emerging artists.
With a focus on contemporary, unique, and affordable artwork, The Gallery’s growing community is proof of their commitment to fostering talent.
Entry is £20 per artwork, with a maximum of 3 artworks to submit.
Young artists (aged 30 or under at 13/06/2025) can submit work at a discounted rate of £15.
Anyone! Open to entries from artists, designers and makers, amateur or professional, from anywhere in the world.
The competition is open to all artists over 18 years. A third party (e.g. gallery, agent or other representatives) may submit work on behalf of the artist, but the third party must confirm that they have the full permission of the artist to enter their work.
The competition is open to 2 or 3 dimensional works.
All mediums are welcome, including but not limited to: painting, drawing, sculpture, mixed media, photography, print and textile.
Works must be available for sale from July to September 2025 and have been made in the last three years. Works should not exceed dimensions of 100cm x 100cm. Works must not have been exhibited in London already.
Framing is an integral part of any finished artwork in a gallery setting. We have strict framing requirements in place to ensure a cohesive and professional presentation.
Why These Guidelines?
Submission Requirements:
Approved Framing Styles:
To submit work, please click “ENTER NOW” and complete the entry form. Please note that payment does NOT mean your application is complete. To complete your application you must upload an image of your work(s). If you have successfully registered you will be able to edit your entry via the online entry tab.
You are free to go back and make any changes up until the deadline which is 12 noon (BST) on Friday 13th June 2025. After this point your entry will be automatically recorded, as shown at that time.
All work must be submitted online by the deadline.
Works should be delivered unwrapped with forms and labels. Please complete all labels carefully and attach them to the works. In particular, please attach labels to the back of picture frames and to the bottom of sculptures. The exhibition catalogue is compiled from the information on the form you provide when you submit it digitally so please complete it accurately.
Artists are responsible for insuring their own work. All works accepted for exhibition will be displayed entirely at the artists' risk and organisers and the gallery will not accept liability for loss or damage occurring during the exhibition.
Dates for collection of works are Sunday 29th August to Monday 1st September 2025. These are the ONLY days that works can be collected from Green & Stone. Please ensure that arrangements are made for your works to be collected on the days specified. Please note that we cannot wrap works for collection. If you pay for an entry and then realise you cannot make these dates you will NOT receive a refund.
Any uncollected Works will be removed from Green & Stone after the collection days and stored by an independent courier company at the artist's expense.
The Gallery can give no information or warranty as to storage charges made by any other company.
If the works are not collected or claimed by, or on behalf of, the relevant artist within 1 month of the last collection day, Green & Stone will be entitled to destroy, sell, or otherwise dispose of the works without consent and without prior notification to the artist. The artist hereby agrees that it will not be entitled to any compensation as a result of the aforementioned destruction, sale or disposal of the works by Green & Stone in accordance with this clause.
We are pleased to announce the judges who together will select the show. Artists chosen for awards will be advised of their success and encouraged to attend a preview evening to receive their award.
Professor Alexander Marr is a Professor of Renaissance and Early Modern Art at the University of Cambridge, where he serves as Head of the Department of History of Art. He is also a Fellow of Trinity Hall, Dean of Discipline and Picture Steward.
Before joining Cambridge in 2012, Professor Marr was a Lecturer in Art History at the University of St Andrews and an Associate Professor of Art History at the University of Southern California.
He studied at Sotheby's Institute of Art in London and the University of Oxford, where he completed an MSt and DPhil in Modern History at New College. During his time at Oxford, he was the Clifford Norton Fellow Commoner in the History of Science at The Queen's College.
Professor Marr is the President of The Leonardo da Vinci Society, a UK charity dedicated to supporting the study of art and science from the Renaissance to the present day, and also serves as a Trustee of the Society.
Charmaine Watkiss is a British artist whose practice investigates the botanical legacy of the Caribbean. She is particularly interested in healing traditions handed down through the matrilineal line, her work reflects this through constructed narratives around women. She accesses public archives which serve as a material from which she constructs narrative responses; using her likeness as a way of enacting what she calls ‘memory stories’ through her drawn compositions.
Notable exhibitions include: Legacy solo show, Abbot Hall Museum 2024; In Praise of Black Errantry, Palazzo Pisani S. Marina (During the 60th Venice Biennial, 2024)l; O Quilombismo, Haus der Kulturen der Welt, Berlin 2023; Liverpool Biennial, 2023; Spirit in the Land, Nasher Museum at Duke University, 2023. Her work is held in international private and public collections.
What I am looking for is work which has a unique point of view; which could be expressed through storytelling or it could be through the way the artist uses material / mark making or composition.
JONATHAN YEO (b. 1970) is a leading British figurative artist known for his portraits of prominent figures, including King Charles III, Sir David Attenborough, Malala Yousafzai, Nicole Kidman, Idris Elba, and former Prime Minister Tony Blair. His official commissions include portraits of Prince Philip and The Queen, and his work has been exhibited widely in museums and galleries worldwide.
Entirely self-taught, Yeo gained recognition in his early thirties through major official commissions when portraiture had fallen out of fashion. His 2007 collage of George Bush cemented his reputation for blending traditional and experimental approaches. Alongside his Collage Series, his work has explored themes such as cosmetic surgery and broader conceptual narratives.
His first mid-career retrospective at the National Portrait Gallery in London (2013) received critical and public acclaim and later toured the UK. In 2016, he collaborated with the Smithsonian National Portrait Gallery in Washington, unveiling a portrait of Kevin Spacey as President Underwood from House of Cards. He had a major retrospective at the Museum of National History in Denmark that same year. Yeo has also incorporated 3D printing, virtual reality, and digital technologies into his practice, unveiling his first large-scale sculptural work at the Royal Academy of Arts in 2017.
A key figure in the revival of figurative painting, Yeo’s work addresses themes of identity, media representation, and the evolving role of portraiture. His Surgery Series was the focus of his first institutional solo show at The Bowes Museum in 2018. His paintings continue to explore the intersection of art, culture, and society.
And more prizes to be announced soon.
Online submission deadline |
12 noon, Friday 13th June 2025 |
Results Notification |
Friday 27th June 2025 |
Delivery of selected works to: The Gallery at Green & Stone, 251 Fulham Road, London SW3 6HY |
Friday 18th July - Monday 21st July 2025 |
Exhibition Open |
Monday 28th July - Thursday 28th August 2025 |
Private View |
Tuesday 29th July 2025, 6.30 - 8.30pm |
Collection of unsold works |
Friday 29th August - Monday 1st September 2025 |
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